The Moravian Music Foundation preserves, shares, and celebrates Moravian musical culture.
Much of my job over the last four years has been assisting in bringing the catalog of the Moravian Music Foundation online. Our OCLC Worldcat catalog is called GemeinKat. This allows anyone in the world to search our holdings of over 10,000 manuscripts and early editions, thus it addresses the “shares” part of our mission statement.
However, we have also decided to make our holdings accessible in RISM (Répertoire International des Sources Musicales), an international database of music manuscripts and early printed editions in libraries, archives, monasteries, schools, and private collections.
Recently I had an article published which detailed how we used pre-existing records in RISM to upload to OCLC for our GemeinKat catalog. Once editing and subject heading enhancements were made, we overlaid records back to RISM (“The Moravian Music Foundation Experience Using Bibliographic Records Downloaded from RISM,” Fontes Artis Musicae, vol. 64 no. 4 (October-December, 2017): pp. 355-366). This summer I had the opportunity to share this at the IAML (International Association of Music Libraries) Congress in Leipzig, Germany.
Having our records available on two platforms (OCLC and RISM) does more than broaden our coverage. There is a complementary aspect to our presence on both platforms. When our card catalog was created in the 1970s, the librarians/musicologists added musical incipits: the opening measures of music, so you would see what the melody of the work was. Currently there is no way to display musical incipits in OCLC (GemeinKat). RISM, on the other hand, does have the capability not only to display musical incipits, but also to search them. This has allowed us to identify, and sometimes correct, attributions to composers and works.
Both platforms allow us to embed URLs to link records from one platform to the other. This means if you find a record in one database it will link you to the corollary in the other, Let’s see some examples:
Perhaps you located the record above by searching for settings of John 3:16, or by searching for an anthem based on a Daily Text. In the GemeinKat record you will see information about the music manuscript, but there is no musical incipit. If you click on the link provided at More information which says “RISM catalog record with musical incipits,” you’ll be directed here:
As you can see, much of the same bibliographic information is still there, but now you have musical incipits which display how the accompaniment begins as well as the Soprano 1 opening measures. The Read online button near the top will link back to the GemeinKat record.
Then, if you scroll down, you’ll see some other interesting options:
In the Notes field, you’ll see a couple links where we have provided images of the title page and the first page of Herbst’s full score:
(detail of title page)
(first page of full score in Johannes Herbst’s hand)
We will not be uploading images for every record, but we have uploaded some images to provide examples of our holdings.
Hopefully our efforts to provide information about our holdings will inspire musicologists, musicians, and students to contact us to learn more about our music; and perhaps they will produce new editions like I did for this work: